Śilpa Śāstra · Remakes of the Ancient World, Set 8: Egypt, Hyperborea & Delos

in shilpashastra •  7 hours ago 

The old manuals told the image-maker to meditate first and to see the deity described in its dhyāna verse before touching stone. The verse was the brief. Finished images were brought to life by opening their eyes. Egypt's sculptors knew a parallel rite, the Opening of the Mouth, and one of their words for sculptor meant "one who causes to live." We work in that lineage of attention. Each scene below is remade for several peoples with its sacred attributes kept intact.

A parallel on the Nile. From the 4th Dynasty on, Egyptian priests performed the Opening of the Mouth on statues, often in the sculptor's workshop, the "House of Gold," so the image could breathe, see and eat. One Egyptian word for sculptor, sꜥnḫ, means "one who causes to live." These are parallels between two ancient workshops, not a claim that one borrowed from the other. (source)

The full gallery, every scene in every look: https://hathor.soapbox.community/remakes · Shilpa Shastra gallery: https://hathor.soapbox.community/gallery


The weighing of the heart

Source: Papyrus of Hunefer, Book of the Dead · operator reference

Realistic — Egyptian · Nubian · Libyan (Amazigh) · Levantine · Pale

Egyptian — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Worship of Ra-Horakhty

Source: Painted wooden stele · operator reference

Realistic — Egyptian · Nubian · Libyan (Amazigh) · Levantine · Pale

Egyptian — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Apollo and Artemis at Delos, by the palm tree — Attic column-krater, c. 450 BC (Madrid)

Source: Comacchio Painter; Attic red-figure column-krater, c. 450 BC, Museo Arqueológico Nacional, Madrid; photo Marie-Lan Nguyen (User:Jastrow), 2008; CC BY 2.5

Original: Apollo and Artemis at Delos, by the palm tree — Attic column-krater, c. 450 BC (Madrid) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Apollo riding a griffin — Attic red-figure kylix, c. 380 BC (Getty Villa)

Source: Photo: Gary Todd; Greek kylix, Athens, c. 380 BC, Getty Villa Museum, Los Angeles; CC0

Original: Apollo riding a griffin — Attic red-figure kylix, c. 380 BC (Getty Villa) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Apollo with the kithara between Artemis and Leto — Attic bilingual amphora (Madrid)

Source: Photo: Dorieo, own work; Attic bilingual amphora, side A, Museo Arqueológico Nacional, Madrid; CC BY-SA 4.0

Original: Apollo with the kithara between Artemis and Leto — Attic bilingual amphora (Madrid) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Apollon and Hermes between Artemis and Leto — lekythos signed by Mys

Source: Mys (signed), Attic red-figure lekythos, Athens NAM 1626; photo ArchaiOptix; CC BY-SA 4.0

Original: Apollon and Hermes between Artemis and Leto — lekythos signed by Mys — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Boreas abducting Oreithyia — Attic red-figure amphora, 470–460 BC (Munich 2345)

Source: Oreithyia Painter (name vase); Attic red-figure pointed amphora, 470–460 BC, Staatliche Antikensammlungen 2345; photo User:Bibi Saint-Pol; Public domain

Original: Boreas abducting Oreithyia — Attic red-figure amphora, 470–460 BC (Munich 2345) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Coast View of Delos with Aeneas (Claude Lorrain, 1671–1672)

Source: Claude Lorrain, 1671–1672; The Yorck Project (2002), 10.000 Meisterwerke der Malerei; Public domain

Original: Coast View of Delos with Aeneas (Claude Lorrain, 1671–1672) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Latona Giving Birth to Apollo and Diana on the Island of Delos

Source: Diana Scultori after Giulio Romano, engraving; National Gallery of Art, NGA 7358; CC0

Original: Latona Giving Birth to Apollo and Diana on the Island of Delos — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Latona and Her Children, Apollo and Diana (William Henry Rinehart, marble)

Source: William Henry Rinehart, 1870, carved 1874; Metropolitan Museum of Art, 05.12; CC0

Original: Latona and Her Children, Apollo and Diana (William Henry Rinehart, marble) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Latona with Diana and Apollo on Delos (print after Domenichino)

Source: Anonymous printmaker after a painting by Domenichino, published by François Langlois; Rijksmuseum RP-P-OB-74.726; CC0

Original: Latona with Diana and Apollo on Delos (print after Domenichino) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Latona with her children Apollo and Diana (Anton Raphael Mengs, 1769)

Source: Anton Raphael Mengs, 1769, Historisches Museum Bamberg; photo anagoria; Public domain

Original: Latona with her children Apollo and Diana (Anton Raphael Mengs, 1769) — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic

Terrace of the Lions, Delos

Source: Photo: Zde, own work (copy on site; originals in the Museum); CC BY-SA 3.0

Original: Terrace of the Lions, Delos — original

Realistic — Greek · Nubian · Libyan (Amazigh) · Levantine · Pale

Greek — Realistic
Nubian — Realistic
Libyan (Amazigh) — Realistic
Levantine — Realistic
Pale — Realistic


All 13 scenes in this set, and every other remake, are in the gallery: https://hathor.soapbox.community/remakes. Made on our own servers in Hathor Studio; each scene links to its place in the gallery.

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